Senin, 02 Februari 2009

Panasonic Lumix DMC-LS80

An optically stabilized lens stands out as the LS80's most prominent feature. The camera includes a 33mm to 100mm equivalent, f/2.8 to f/5.1, 3x optical zoom lens with Panasonic's Mega Optical Image Stabilization system that shifts lens elements to compensate for camera shake.

While many budget cameras offer some form of "image stabilization," those modes are usually software based and rely primarily on increasing camera sensitivity and quickening the shutter. Most companies reserve their mechanical (aka sensor shift), or optical stabilization systems for more expensive models, and seldom in budget lines.

However, we are seeing optical stabilization begin to trickle down into budget models, as evidenced here. Besides the optically stabilized lens, the LS80 presents a lackluster feature set, including a 2.5 inch LCD screen, a WVGA (848x480) 30 frames per second movie mode, and a standard compliment of scene preset modes.

The LS80 performed slowly in our lab tests, lagging behind similar cameras in nearly every category. After a 3.2 second wait from power on to first shot, the camera could take another picture every 2.2 seconds with the on board flash disabled. With the flash turned on, that time doubled to 4.4 seconds.

Its shutter lagged 0.7 seconds with our high contrast target and 1.2 seconds with our low contrast target, which mimic bright and dim shooting conditions, respectively. In burst mode, the LS80 captured four full resolution pictures in 2.7 seconds for a rate of 1.5fps.

Panasonic Lumix DMC-FZ18

The FZ18 incorporates a wide aperture, wide angle lens, specifically f/2.8 to f/4.2 28mm to 504mm, and like the S8000fd, incorporates an 8 megapixel sensor. Its design looks quite similar to its 7 megapixel, 12x zoom line mate, the FZ8Sony Cybershot DSC-H3, the FZ18 retains an EVF (electronic viewfinder).

That's a good thing even with the optical image stabilizer, when shooting that long you really want the additional steadiness conferred by an eye level grip type of stance. Panasonic doesn't skimp on shooting options here. In addition to a full set of manual, semi manual, automatic, and scene program exposure modes, and the standard three metering choices spot, center and multiple the FZ18 includes six auto focus algorithm options.

Face, 1 point, 1 point high speed, 3 point high speed, Multi point, and Spot. It also offers automatic scene detection, rather sluggish face detection, and Intelligent Auto mode, which enables the image stabilizer, uses Intelligent ISO (automatic up to the user set cap), face detection, automatic scene mode detection, and continuous AF.

The three shot self timer provides a retro photo booth experience. And not only does the FZ18 offer raw mode, it also supplies a raw plus JPEG option, which we generally see only in midrange and higher dSLRs.