Panasonic Pro AG-HMC150

The cooler than cool Panasonic Pro AG-HMC150 drew big crowds at the 2008 NAB Show. Why? Simply because it offers an unheard of Bang for the Buck, in a 1/3 inch three chip hand held tapeless HD camcorder, while retaining the core versatility of the DVX100B. Panasonic Pro AG-HMC150 sports a 28mm lens right out of the box and a new PH Record mode (21 Mbps) which offers higher resolution with a host of recording formats including 24p.

Add to that, amazing low light performance, long record and battery time and professional Audio capabilities at a price that will make it an instant hit with a wide range of AV Shooters, Indie creators and Event video professionals. Panasonic Pro AG-HMC150 represents a major step forward in the introduction of a next generation solid state HD camera that extends the six year successful track record of the popular DVX100 plus a lot more.

Panasonic Pro AG-HMC150’s lightweight (lightest 1/3 inch 3CCD available), well balanced professional design features a high performance wide angle Leica 13X zoom lens, 24 and 30 frame progressive capture, both in 720 and 1080 formats, making it perfect for even high level projects. Designed from a clean sheet of paper with much customer input to Panasonic's product development engineers, Panasonic Pro AG-HMC150 sports a Die Cast Alloy chassis and a Three year warranty (upon customer registration) that further endorses its reliability.

Using the latest in compression technology (AVC High Profile) and widely available SD memory cards as the recording media, Panasonic Pro AG-HMC150 is as easy to use as a digital still camera. The content recorded on the SD card can be directly played on a growing number of affordable consumer players, including select models of Playstation 3, Blu-ray players, plasma screens and PC’s. With most NLE systems now supporting AVCHD, content can be edited and rendered to play in any type of SD or HD playback system.

Dynamic Range Stretch
With DRS ON your customer can capture better Video quality when shooting bright, halftone and dark objects in the same frame. (Bride’s white gown details and the Groom’s shades of tuxedo black.) This clever circuit estimates the gamma curve and knee slope of each pixel’s brightness and applies the estimate on a real time basis. The result is more accurate Video with a visually wider dynamic range.

Features

• Full range of HD formats : 1080/60i, 1080/30p, 1080/24p (Native); 720/60p, 720/30p, 720/24p (Native)
• Higher bit-rate recording than consumer models (21 Mbps PH Mode)
• Three latest design 1/3 inch CCD Progressive Imagers
• 13X Wide angle 28mm lens out of the box (35mm equiv.), MOD .6 M, 72mm Ø (Shoot in confined spaces with no need to buy an accessory lens)
• Time Date Stamp for Legal Depositions or surveillance
• Waveform Monitor, Vectorscope plus two Focus displays for accurate, quick focus
• Professional XLR audio input connections
• Time code (DF, NDF, REC RUN, FREE RUN) and USER BIT
• HDMI out, Component Out (mini D terminal), Composite Video Out and RCA Audio Out jacks
• External Time Code Link (Slave & Master Preset) uses the Composite Video Out terminal
• USB 2.0 for file transfer (no need for a VTR)
• 3.5 inch LCD monitor displays thumbnails for quick non-linear access to clips
• Remote control connection for Zoom, Focus, Iris, and start and stop functions
• 14 bit A to D converter and 19 bit Image processing
• Cinelike Gamma &, DRS Dynamic Range Stretch (Filmaker requested features)
• Three Neutral Density Filters 1/4, 1/16, 1/64
• Pre-Record (3 Seconds), Digital Zoom 2X / 5X / 10X (in 1080/60i & 720/60p only)
• Three User Set Buttons with 11 choices for customizing Camera to Shooter

Panasonic TC-P50V10

Panasonic TC-P50V10 is one sleek plasma. Its main external differentiator is what the company calls "one sheet of glass" design, where a pane of glass extends beyond the edge of the screen and over the bezel itself, leading to a seamless look that's even more impressive in person than in pictures. (It's worth noting that only the 50 and 54 inch models feature the one sheet design; the larger members of the series have the more traditional, visually separate bezel around the screen).

Panasonic TC-P50V10 series eschews the relatively bright silver fade along the bottom of the frame seen on the company's step down TC-PG10 models, instead opting for a much subtler silver accent that arcs slightly upward in the middle. We think Panasonic TC-P50V10 looks more attractive and sophisticated than the G10, and indeed it's one of the coolest looking TV designs we've seen this year. The black frame around the screen is a bit wider than that of the G10 series, leading to Panasonic TC-P50V10's slightly larger height and width dimensions (0.2 and 0.9 inch larger, respectively, on the 50 incher, for example).

The panels' depth dimension, on the other hand, is just 3.3 inches not quite as thin as Samsung's 850 series plasmas or Panasonic's own Z1, but thinner than the 4.2 inches of the G10 models. If you're keeping track, the 50 inch Panasonic TC-P50V10 also weighs 4.4 pounds more than the 50 inch G10, which is probably due to that big pane of glass. We also appreciated that the 50 inch Panasonic TC-P50V10 model's stand includes a swivel, an extra not found on less expensive Panasonic plasmas nor on the larger members of the series.

Beyond the panels and stands, the V10 models are pretty much identical in design to the G10s. The remote differs from the one found on less expensive Panasonic plasmas, and in general we liked it. Panasonic's marketing guys got to the button designers, however, and apparently mandated that an unnecessarily prominent trio of keys Viera Link, VieraCast and VieraTools appear above the central cursor control.

Each provides direct access to functions we'll warrant most users won't access as frequently as the Menu key, and the trio relegates that button to an easily overlooked spot near the top of the clicker. We still like the feel of the keys, and appreciate the size, color and shape differentiation that helps us forget that only the huge volume and channel buttons are illuminated. The remote cannot control other devices via infrared (IR) commands, but it does allow some control of compatible HDMI devices connected to the TV via Viera Link (a.k.a. HDMI-CEC).

Panasonic tweaked its menu design for 2009. The same yellow on blue color scheme is in evidence (albeit a lighter shade of blue), and navigation is basically unchanged, but the main menu actually has a couple of icons now. Overall it's still one of the more straightforward, basic looking menus on the mainstream market, but we still wish the company would see fit to include on screen explanations of selections. A new Tools menu showcases some of the TV's functions, including THX mode, Digital Cinema Color, and VieraCast.

Panasonic SC-BT300

Most Blu-ray HTIBs stick to traditional 5.1 configurations, but Panasonic SC-BT300 is a full 7.1 system. The system is made up of two tall boy speakers, four small speakers for the surround or surround back channels, a center channel and the subwoofer. The tall boy speakers stand 40.2 inches high, and the circular stands are 10 inches in diameter. They're big enough to dominate a room, so if space is limited you may be better off with Panasonic's step down SC-BT200. The surround or surround back speakers are a little bigger than a soup can, coming in at 3.63 inches wide by 5 inches high and 3.2 inches deep, and each features a 2.5 inch bamboo cone driver.

The center channel is a little bigger (9.8 inches wide, 3.75 inches high and 3.2 inches deep) and features two of the 2.5 inch drivers. The sub has a 10 inch passive radiator and 6.5 inch woofer, and its footprint is also relatively small (7.1 inches wide, 14.2 inches high and 13.4 inches high). The combination receiver and Blu-ray player has a relatively nondescript look, with the faceplate featuring a reflective black finish. Toward the bottom is a flip down panel revealing an SD card slot, the auto setup mic input, additional playback controls, and a headphone jack.

One nice design touch is the pull out iPod dock just give a tug where the Panasonic logo is and a tray for the iPod is revealed. We prefer this integrated design (also found on some LG models) to the break out docks on the Sony BDV-E500W and Samsung HT-BD1250T, which cause a little more wire clutter. The included remote on Panasonic SC-BT300 is similar to the one included with the company's Blu-ray players and we're generally fans of the design.

Frequently used playback controls are given big blue buttons and the directional pad is surrounded by important buttons like pop-up menu and top menu. There is one inexplicable omission, though : an open or close button for the integrated Blu-ray player. Sure, you have to get off the couch to change discs anyway, but we prefer to hit the button before we get up so there's an open tray waiting when we get there. Panasonic SC-BT300's main receiver has a Blu-ray player built in and it offers all the functionality of Panasonic's entry level standalone player, the DMP-BD60K.

The DMP-BD60K's full review has the most detailed information, but the short story is Panasonic SC-BT300 has full Profile 2.0 compatibility, on board decoding for Dolby TrueHD and DTS-HD Master Audio, and VieraCast functionality. VieraCast is the name of Panasonic's proprietary Internet content portal, which currently offers Amazon Video On Demand, YouTube, Picasa, Bloomberg stock quotes, and weather. Panasonic SC-BT300 doesn't have built-in Wi-Fi, so you'll need to make an Ethernet connection to enjoy this content. The additional content is certainly welcome particularly Amazon Video On-Demand but in our opinion, we prefer the Netflix or Pandora combination offered on HTIBs from Samsung and LG.